Pascal Basel Products Bundle

Downloadable Files

You can download the Pascal Basel Products Bundle for free from the end of this product page.

Give Every Shot a More Cinematic Character

Color can transform the feel of a video. An action shot taken with a smartphone can be punchy and cinematic. A standard drone shot can gain atmosphere and depth. And outdoor footage can quickly take on the look and feel of a film with just a few well-applied color corrections.

The Pascal Basel Products Bundle includes multiple sets of LUTs created for different grading, lighting, color profiles, and cameras. Instead of applying one look to all footage, you can choose from modern high-contrast grading, moody finishing looks, vintage Fujifilm colors, and customizable teal-and-orange grading.

This is ideal for users who shoot across multiple cameras and desire more flexibility in creating a uniform look.

What Is the Pascal Basel Products Bundle?

The Pascal Basel Products Bundle is a collection of cinematic LUT packs covering GoPro footage, DJI Air 2S drone video, Fujifilm F-LOG and ETERNA footage, general-purpose finishing grades, and teal-and-orange color styles.

A LUT, or Look-Up Table, changes the color values of an image according to a predefined color transformation. Depending on the LUT, this can help convert flat footage, establish a cinematic color palette, modify contrast, control greens, introduce warmer or cooler tones, or simply provide the final creative look for a grade.

Because this bundle contains LUTs designed for different purposes, you can select a workflow that actually matches the footage rather than forcing the same preset onto every clip.

For example, GoPro Flat footage can receive a look designed specifically around the characteristics of GoPro cameras, while DJI Air 2S D-LOG footage can be graded according to whether it was captured in daylight, cloudy weather, afterglow, or a high-contrast scene.

A Collection Built for Different Shooting Scenarios

One of the biggest advantages of the Pascal Basel Products Bundle is variety with a clear purpose. Each included collection approaches color grading differently.

You can create modern cinematic GoPro footage, enhance aerial landscapes captured with a DJI Air 2S, develop filmic outdoor Fujifilm footage, apply coherent finishing grades across footage from different cameras, or experiment with sophisticated orange-and-teal palettes.

That flexibility is valuable for travel films, landscape videos, drone cinematography, action footage, outdoor productions, social content, and other projects where color plays an important role in establishing atmosphere.

Features

GoPro Cine LUTs – 16 Cinematic Looks

The GoPro Cine LUT collection includes 16 high-quality LUTs created for GoPro Hero 7, 8, 9, 10, 11, 12, and 13 cameras.

They are designed around the GoPro Flat color profile and include one general GoPro Flat conversion LUT. Most of the creative options focus on modern, higher-contrast aesthetics, while several provide orange-and-teal styling.

The non-orange-and-teal options are especially useful when you want to retain attractive green tones in outdoor scenes.

For best results, footage should be recorded using GoPro Flat rather than GoPro Color. Applying these LUTs to GoPro Color footage can result in excessive saturation and contrast.

DJI Air 2S Cine LUTs – Looks for Changing Light

This collection provides 16 cinematic LUTs for DJI Air 2S D-LOG footage, with looks organized according to real shooting conditions.

The collection includes:

• 5 Cloudy LUTs for overcast conditions
• 5 Daylight LUTs for daytime footage
• 4 DR LUTs for high-contrast situations such as shooting toward the sun around sunset
• 2 Afterglow LUTs for footage captured shortly after sunset or before sunrise

This scenario-based organization makes it easier to choose a starting look that matches the lighting conditions of your aerial footage. The LUTs are particularly suited to landscape shots where skies, terrain, shadows, and changing natural light all need to work together.

DepthScape LUTs – Filmic Finishing Grades

DepthScape is a collection of 8 high-quality finishing LUTs, with each look supplied in three workflow variations.

All eight looks share the same underlying tone curve but introduce different color variations, helping multiple shots maintain a coherent visual identity. They are designed with smooth color graduations in mind to reduce the risk of visible color banding.

The overall aesthetic is filmic, moody, and modern. The LUTs neutralize purple, reduce green saturation, and move the image toward teal and orange without intentionally creating an excessively unnatural result.

Because these are finishing LUTs, they can be used with footage from cameras, drones, action cameras, and phones.

Three DepthScape Workflow Versions

DepthScape includes RCM, Rec709, and Rec709c versions.

RCM is designed for DaVinci Resolve Color Management using DaVinci Wide Gamut and provides the workflow specifically intended for Resolve Color Management.

Rec709 is designed for Rec.709 workflows and can be used in LUT-compatible editors such as Final Cut Pro and Adobe Premiere, as well as DaVinci Resolve without Color Management.

Rec709c is a corrected variation intended to make grading easier and provide a stronger straight-out-of-the-box result, particularly in editors such as Final Cut Pro.

The eight looks include Cold Greens, Cold, three Standard variations, and three Warm variations with different approaches to muted greens, shadow teal, and neutral shadows.

Fuji Outdoor LUTs – 60 Cinematic Options

For Fujifilm shooters, the bundle contains 60 cinematic LUTs designed for F-LOG and ETERNA.

There are 15 core looks supplied in four variations:

• F-LOG
• ETERNA
• F-LOG Faded
• ETERNA Faded

The normal versions provide a more contrasty result, while the Faded versions lift the shadows for a softer appearance and reveal additional shadow detail.

Since the same 15 looks are available for both F-LOG and ETERNA, footage recorded using the two profiles can be matched more easily within the same project.

TANGE LUT Pack – Flexible Teal & Orange Grading

The TANGE collection contains 39 high-quality teal-and-orange LUTs with additional control over green tones.

Instead of relying on one generic orange-and-teal effect, the pack provides three different teal-and-orange approaches and allows greens to be pushed toward cold, warm, or hot variations.

This is especially useful for travel and outdoor footage. Traditional teal-and-orange grades can sometimes make vegetation look strange or overly processed. TANGE provides greater control over those greens while maintaining the overall complementary color palette.

The pack also includes 4 extra LUTs combining its three teal-and-orange looks and 2 additional LUTs for adjusting the S-curve and blue shadows independently.

Build a Consistent Look Across Your Edit

A cinematic grade is not simply about finding the strongest LUT. Consistency between shots is often more important.

If several clips belong to the same scene, try using the same base look throughout that sequence. This creates visual continuity and prevents an edit from feeling like every clip has been processed independently.

This is particularly important in travel films where GoPro, drone, and other camera footage may appear alongside each other. The different collections in the Pascal Basel Products Bundle give you multiple starting points, while careful correction can help bring those different sources into the same visual world.

Professional Tips for Better Results

Always begin by preparing your footage correctly. If you recorded in a LOG format, perform the appropriate LOG conversion and basic corrections before applying a finishing LUT such as DepthScape.

Exposure and white balance should also be corrected before judging the final creative look. A LUT can establish color and contrast, but it cannot automatically fix every incorrectly exposed or poorly balanced shot.

For GoPro footage, make sure the camera was set to the Flat profile when working with the dedicated GoPro Cine LUTs. For DJI Air 2S footage, use the LUT category that best corresponds to the conditions in which the footage was captured.

You also do not need to use every LUT at full strength. When your editing software allows it, adjusting the intensity or blending the grade with additional corrections can produce a more subtle and natural result.

Finally, pay close attention to skin tones, vegetation, skies, and shadow detail. These areas quickly reveal when a grade has become too aggressive.

From Action Cameras to Cinematic Landscapes

The value of the Pascal Basel Products Bundle lies in having both specialized and general color grading tools available in one package.

Users of GoPro cameras will find grades optimized for Flat footage. DJI Air 2S users can choose grades based on lighting conditions. Fujifilm users will find specialized grades for ETERNA and F-LOG. DepthScape provides finishing grades that can be used across many cameras. TANGE provides a large amount of control and is ideal for users who enjoy the teal-and-orange look.

This bundle offers varied methods for different types of shots and creative applications instead of a one-size-fits-all solution for all shots.

Final Thoughts

The Pascal Basel Products Bundle offers a wide variety of cinematic LUTs for use with drones, action cameras, Fujifilm cameras, and mixed camera shoots.

The most valuable aspect of this bundle isn’t the number of LUTs included, but rather the variety of applications these LUTs can be used for. There are LUTs for converting GoPro Flat footage, DJI LUTs for specific lighting setups, Fujifilm faded LUTs, customizable teal-and-orange LUTs, and universal DepthScape finishing LUTs. There is ample opportunity to establish a visual style using these LUTs.

Begin by using the LUT set appropriate for your footage. Apply the required exposure and color adjustments. Then polish the final look. Using this method, these LUTs can serve as a great starting point for more consistent, faster, and more cinematic color grading.